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How to become a musical genius in ten easy steps
Way back in time, I was in a rock and roll band called the
Bushwackers. We gained a fair amount of notoriety in the Chicago
area, and were also quite big in Belgium, Wisconsin. Whether
playing for 20 people, or 20,000, we were usually a good rockin'
band.
We were blessed to have a great group
of fans. We were also blessed to have fans in the Chicago radio
industry. Our long-time pal Phil Jacobs had us in the studio at
WABT, and he was constantly playing our tunes and getting us some
exposure. Kevin Matthews (and Jimmy Shorts) were very instrumental
in exposing us, and I mean that literally. Jonathan Brandmeier and
Buzz Kilman thought we ruled! Richard Milne of WXRT was kind of
enough to give us raves on his "Local Anesthetic" show. And Danny
Bonaduce offered to dismember himself, all because he loved the
Bushwackers.
At some point the band members were
too busy getting married, un-married, drunk, etc., to keep the band
going. We had run our course. But most of those four years were
great. When we were "on", we were "on". When we were "off", we
were "drunk".
Although the original version of the Bushwackers died a swift
death you can still catch the music with the newly reformed (and
slightly different) Bushwackers, with Rodney, Jimmy and Sasage now
playing with Mark Sendra on guitar and Pete Gonzalez handling the
bassing chores. You can view their site at
www.bushwackersrule.com.
The Bushwackers had evolved from
another local band called Red Alert. Red Alert included myself,
Rodney Golembeck, Louie Ceja, Paul Smerz, Jim Bubeck and the late
great Tommy Minas. You can also download most of the Red Alert
catalog here as well.
The classic Bushwackers line-up (if it can be called that, I think
it can) was:
Rodney Golembeck - Vocals, Guitar
Jimmy Harris - Lead Guitar
Michael Sendra - Drums, Backing Vocals
Michael Horan - Bass
Other former Bushwackers include Paul
Marolda, Louie Ceja, Royce Golembeck, and occasional guest
appearances by Mark and Matt Sendra. Let's not forget Big Jay with
his bottles of Watermelon shots. He was onstage feeding us drinks
enough to qualify as an official member.
Andy Athy of Rabid Elk Entertainment
was our spiritual guide, and I mean that in a "spirits" sort of
way. He was also, in his spare time, the Mayor of Andyland, which
is a place where people drink, smoke cigarettes and always have
fun. We were also backed by Andy and Brian Mahoney doing sound, Ray
LaBonte doing the bookings and the prank phone calls, and Sherry
Pope (now Horan) doing the advertising. Let's not forget Sean
Colyer, who designed a few different Bushwackers logotypes through
the years.
Cesspool Party
Cesspool Party was the
name of the lone Bushwackers CD. It was an amalgam of songs that
were mostly written by the band. The lone cover is "Unforgettable
Urge", which is a rockin' fun Devo song off of their first album.
As for the Bushwackers
songs, I wrote most of the lyrics, and then the band would get
together and put the words to music. It's a decent representation
of what we were. Looking back, it could have been so much better.
Songs such as "I'm Still Waiting For Mine", "Where Do We Go From
Here?", "Martyr" and "Grrls, Grrls, Grrls are Grreat" would have
truly provided a better picture of what we were all about.
Lest we forget, our pal Pete Krajci
helped us out by playing mandolin on "Green Fields", and it was one
hell of job he did!
Downloads
Right-Click the "Download" button to
get
MP3 versions of the songs. Pretty easy, eh?
Bushwackers - Studio Stuff
Strummer-Jones

The most common question about this
song was always "What the hell is a Strummer-Jones?" Joe Strummer
and Mick Jones were the songwriting team behind my favorite band of
all time, The Clash, so they will always hold a special place in my
musical heart. This song is a thank you.
Green Fields

This song was a little ditty about the
death of nature, and how we are all holding the trigger. Like a
good traditional Irish song, the music is happy and perky while the
lyrics are a big drag.
In Needle Park

A song about a girl who had
everything, including a major substance abuse problem. Very hip
nineties kind of song.
Uncontrollable Urge

I brought this Devo song to the guys
to listen to, not necessarily to cover. It turned out to be one of
our show stoppers, and it is oh so fun to play.
Out Of My Way

We all have things that are standing
in the way of our goals. This is just a song about my perceived
road blocks.
Candles In The Light
Of The Sun

I'm not good at writing typical "love
song" type ballads. So this is a very loud love song. It was
written for my girlfriend at the time as a way to tell her that
those that had come before her couldn't compare to her. It must
have worked, she married me.
Hitler's Little Sister

This song was written for a psychotic,
spiteful, hateful ex-girlfriend. It is spiteful in its own right.
I'm not very happy with this song, and I wish it never made it to
the CD.
Ghosts

I grew up in a old-world town, with a
tavern on every corner. It was very blue-collar, so after the
factories let out the locals would head to their favorite watering
hole. As we got older we joined our elders in those bars. I was
starting to take a good look at my life (and those long-time bar
flies) and started to realize that I didn't want to become one of
them. They are the "ghosts" of the title.
Is That Enough?

This is a song about all of the
self-doubt that comes with the beauty of a new relationship. This
is all about the "am I good enough, am I worthy?" feelings we have.
I'm Still Waiting For
Mine

This one was written as the end of the
Red Alert era, and was originally recorded at Short Order Recorder
in Zion. We can't seem to find that recording. This recording was
made at our pal John's studio, Hate Works. It is a rough version of
it, but still pretty decent. After looking back at all of my band
years I would have to say that this is my favorite song that I've
written.
A Little Lipstick

This is a song about a bad girl, and
that's all I've got to say on that one. Well, except that it too
was recorded at Hate Works.
In Studio at WABT

Just what it says, the Bushwackers
visiting our pal Phil Jacobs at the WABT radio studios, playing a
couple songs, having a few laughs, eating some sandwiches.
Bushwackers - Live at Toto's (4/9/94)
Time
Great song by the band Blue Rodeo.
Rod brought this one to the band and we all dug it, so that's why we
opened the show with it. Also, great intro by our pal Phil Jacobs
of WABT radio.
Majesty of You
This grungy love song was big in Door
County!
A Little Lipstick
Nice live version of this tune. Jimmy
gets a little lost at the beginning, but hey, he made up quite
admirably.
Martyr
This song was written for the type of
girl who dates an idiot, figuring that she'll be able to change
him. I won't name names.
Green Fields
I'm pretty sure this was the first
time we played this one live. It's a little more spare than the
studio version, but still sounds sweet.
Where Do We Go From
Here?
Written about the 1992 riots in Los
Angeles. Rodney's guitar was not plugged in for half the song, but
it's the only version we've got.
Nearly Lost You
This Screaming Trees song was a big
live favorite. Fun to play and fun to dance to.
Ring of Fire
A Johnny Cash classic at hyper-speed!
Rockin' in the Free
World
Neil Young's ode to America. Sad, but
quite a rocker.
Smells Like Teen
Spirit
This show was the day after Kurt
Cobain killed himself. So we decided to do a little tribute. It's
a bit fast, but we got our point across.
Is That Enough?
A nice little show ender, with some
extra bits of Zeppelin to boot!
Red Alert Songs
What Can't Money Buy

Our very first recording experience.
This and the next seven songs were recorded at Hair Bear Studios.
This one and All I Need, South Side Girl and The Proof were recorded
in one session, and the other four songs were recorded about a year
later. This was written by Tommy, and is a straight up rocker.
All I Need

Another Tommy tune, straight up.
South Side Girl

My first attempt at writing a song for
the sole purpose of getting a girl. Being in a band was cool.
The Proof

Can't even remember what this one was
about. It became some weird little jazzy tune, but it's still fun
for me to listen to.
America

We were all listening to quite a bit
of John Mellencamp at that time, and it kind of shows. Rodney wrote
this one, and it has some great lines in it, my favorite being "the
neon cross is flashing Jesus Saves". Very cool.
Heaven In Our Hands

Okay, here's the concept. What if
Jesus came back. Born in Bethlehem, Pennsylvania. And what if he
had a twelve-man motorcycle gang that did good deeds and played
"meaningful" songs. And what if he was misunderstood and got killed
because of it? Whew, I was stretching the concepts for a four
minute song!
The Long Ride

My naive vision of what it must be
like for a band to work so hard, to almost make it big, and to then
die on the vine. Hmmm, sounds familiar.
Promised Land

My favorite Tommy song, about the
search for the almighty dollar and what it does to the soul. Great
song.
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